Research Students
| Student name | Supervisors | Provisional research title |
|---|---|---|
| Sevastiana Anagnostopoulou | William Higbee and Song Lim | Going West: Inter-European Immigration in 'Western' European Film |
|
Aygul Bakanova |
Helen Hanson | Women in Central Asian Cinema |
|
Giulia Baso |
Danielle Hipkins and Fiona Handyside | Perspectives of Mediation and Contamination in the Films of M Antonioni and A Egoyan |
|
Jake Bevan |
William Higbee and Song Lim | Post-Colonialism in Contemporary South Korean Cinema |
|
Deena Bowman-Jamieson |
William Higbee | The Politics and Style of the Political Thriller during the First Cold War, 1945-1962 |
|
James Michael Chambers |
Joe Kember and Les Blair | The Strange Home project: Towards a Distinctive, 'Authentic' Contribution to Scottish Cinema Grounded in Community Folklore |
|
Christopher Davies |
James Lyons and Joe Kember | "Is This Sparta?": Allegory, Analogy, and Warfare in the Post 9/11 Ancient Historical Epic Film |
|
Jane Devoy |
Joe Kember and Brian Dunnigan | Methods of Writing, Production and Exhibition in Contemporary Filmmaking: How Modes of Working Affect Final Product |
|
Edward Falvey |
Joe Kember and James Lyons | Reading the Cinematic City: Iconography, Transformations, and the Birth of New York City |
|
Ruth Farrar |
Helen Hanson and William Higbee | To Investigate the Creative, Aesthetic, Technological and Commercial Issues in Designing a 3D Sound Experience in Film. |
|
Pierrealain Giraud |
William Higbee and Harriet Cox | The Work of Darius Khondji: Cinematographic Authorship in Contemporary Cinema. |
|
Ewen Glass |
Sam North and William Higbee | Screen Writing, Theory and Practice |
|
Tamsin Graves |
William Higbee and Fiona Handyside | Screening the Gypsy: Marginal Identities and Outsiders in the Films of Tony Gatlif |
|
Karen Grobben |
Helen Hanson and Fiona Handyside | Female Identity, Representation and Trauma in the Filmic Fairy Tale |
|
Joseph Hickinbottom |
Song Lim and James Lyons | Takashi Miike: The Dynamics of Cult Authorship in the UK |
|
Christopher Hite |
Danielle Hipkins and James Lyons | Italian Neo-Realist Cinema in Post War America |
|
Yennan Lin |
Song Lim and Fiona Handyside | In Search of the Boundary of (Trans)national Cinema: Development and Change of Taiwanese Cinema After 1949 |
|
Jean Magro |
James Lyons and William Higbee | Transmedia Storytelling: A Critical Analysis of a Transmedia Story |
|
David Morning |
Song Lim and Fiona Handyside | Postcommunism and Contemporary Czech Cinema |
|
Michaela Morning |
William Higbee and Fiona Handyside | Exploration of the Notions of Surrealism in Czech Cinema |
|
Katherine Newstead |
Fiona Handyside |
The Other Woman: Ageing and Monstrosity in the Contemporary Cinematic Fairy Tale |
|
Ben Sherriff |
William Higbee and Song Lim | Digital Fluidity – PhD by Practice |
|
Jamie Steele |
William Higbee and Fiona Handyside | Francophone Belgian Cinema |
|
Christiane Stelberg |
Gabriella Giannachi and James Lyons | Film 3.0: Film in the Digital Media Landscape |
|
Mohammad Taleifard |
William Higbee and Les Blair | Is it Possible to be in Internal Exile and yet be at Home? |
|
Wan-Jui Wang |
Song Lim | Crossing Borders in Taiwan New Cinema: Historiography, Popularity, Postcoloniality |
|
Adam Whybray |
Joe Kember and James Lyons | 'Animating Dissent': The Political Object of Czechoslovakian Stop-Motion Film |